Announcing our Spring Show!
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NINE MOONS
​Written by Keith Hamilton Cobb,
in collaboration with the devising ensemble
Directed by Jessica Burr
Presented by Blessed Unrest
at Theater for the New City​​
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MAY 30th - JUNE 15th
Mon @ 7pm
Thurs, Fri, Sat @ 8pm
Sun @ 3pm
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In Nine Moons, the archetypes that Shakespeare gives us of Othello, Desdemona, Cassio and Brabantio gather in our rendition of Venice to explore the realities of a family full of secrets, powerful friendships, and a story of unknown and ungovernable passion.
Nine Moons is a narrative that we all can recognize and be touched by. We transform alongside these people to navigate the depths of our own humanity as we witness January through September in a stifling house of secrets.
Help Blessed Unrest turn 25 in '25!
As Blessed Unrest approaches our 25th anniversary, we urgently need your support to ensure we can continue to thrive for the next 25 years. Independent theater plays a crucial role in nurturing emerging artists and enriching our cultural landscape.
Our goal is to raise $50,000 in order to expand our Ensemble Training Program, to implement the necessary changes to Blessed Unrest’s organizational structure, and to mount our spring production.​
We are one of the last, if not the last, remaining theatre companies in NYC offering free, ongoing ensemble training in physical theatre techniques. Accessibility to the arts should not be a luxury, and Blessed Unrest keeps the arts accessible to audiences and artists alike.
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Thank you for considering a gift to Blessed Unrest. Your support fuels our mission, provides free training to our Ensemble, and helps us continue our work. Together, we can make a lasting impact and bring arts and community to those who need it most.

Recently

Yale Innovation Summit
Artistic Director, Jessica Burr was honored to be a part of the Arts & Innovation: Centering Creators in the Creative Economy panel at the annual Yale Innovation Summit which, for the very first time ever included an Arts Track, helmed by the Midnight Oil Collective. Watch excerpts from the panel below.
“What happens is that the surrounding structures get valued more than the art itself, more than the process. We are supposed to make something from nothing in about three weeks' time. If we are going to be allowed to do our job in society: to see your heart, to heal your soul, to understand the inside of the human condition, we need to be allowed process. We need time, we need resources.”
watch the full Arts Panel here:
Train with Blessed Unrest

